10/7/2023 0 Comments Fresh movieThat’s not to say that there aren’t visual jokes - there are, frequently - but to give them away here would be to spoil the fun. Her camera is always in service of the story, rather than distracting from it with artifice. It is a co-production between Legendary Pictures and Hyperobject Industries Adam McKay produced the film alongside Kevin J. The film stars Daisy Edgar-Jones and Sebastian Stan. Cave has an imaginative sense of camera placement, and she’s an expert at inserting ultra-close-up shots at precisely the right moment to induce a laugh, gasp, or shiver. Fresh is a 2022 American horror thriller film directed by Mimi Cave, in her directorial debut, from a screenplay by Lauryn Kahn. Settings are depicted in rich dark hues and feature a modern, minimalistic design aesthetic punctuated by slabs of stone and concrete. He can play the nice guy, but beneath the chivalry he’s hungry for power, and seizes onto it like a snarling dog with a bone. Dancing around the kitchen lip-syncing to oldie pop songs or just cutting up juicy red meat for dinner, Steve sparkles with smarmy, maniacal energy, like a kind of sophisticated Tyler Durden who’s traded fight clubs for business ventures. Mollie rolls her eyes knowingly.īut as far as performances go, it’s Stan who gets the most time to shine. “Why? She’s white, right?” he jokes in response. In one scene, after Mollie can’t reach Noa for several days, she tells a Black friend that she’s worried but is reluctant to involve police in her search. Mollie, too, becomes a character to root for independently, which is at least better than only existing as a cheerleader for her sensitive white bestie. Edgar-Jones, who most notably played Marianne on Hulu’s “Normal People,” is an absorbing screen presence, taking a role that could’ve been played as dopey - the romance cynic who falls for the gentleman - and injecting it with a quiet psychological intensity. Noa’s best (and seemingly only) friend, Mollie is Black and queer, a token sidekick character whose personal life, job, and dating prospects we learn almost nothing about - though we do know that she’s prone to too-loudly encouraging Noa to “get that D.”īut as the story continues, and Steve - no surprise here - turns out not to be the sweet guy he promised, both Mollie and Noa’s characters are given space to deepen. It means that you're always feeling slightly unsettled, which I think is really good.At this point in the movie, Mollie seems to be getting the short end of the stick. It really does, that kind of tone, I find so enjoyable because it sort of makes you feel all the more uncomfortable weirdly because you shouldn't really be enjoying what you're watching because it's so dark. Then of course there was the one on the operating table.ĮDGAR-JONES: I love it when films do that because you find yourself laughing or you find yourself enjoying something and then it's almost like you feel guilty about it because you realize what you are watching. So I thought that was just a very different way of telling backstory about a character. And just him and these private moments kind of dancing by himself were so, they were funny, but they were weird and also kind of revealing about who he was or he might have been in a way. That was in the script and it was something that kind of intrigued me about the character because I saw that as an opportunity in a way for us to sort of see something different than what we've been seeing about him to that point in the movie. Can you sort of talk about, I guess, the music and also its bright lit scenes with really fucked up stuff. The film does such a great job with tone and being able to balance these things. Something that also is really cool about the film is you have these really upbeat 80s songs playing against really, really dark stuff. I kind of came to it the way you did, which is I think the best way in reading it, I was just like, "What?" Every time you think you know what's happening, it takes such a twist and turn. They were like, it gets quite dark…but that was sort of all they gave me. What was it like though when you guys got the script, because did your agents or managers or people involved tell you what was going to happen or did they say, you just need to read this?ĮDGAR-JONES: Mine just said you just need to read this. STAN: A girl meets a boy and then never leaves. Yeah, it's definitely a hard one to describe. I've just sort of been saying, I guess it's sort of a girl meets boy thriller is kind of one way of going about it. Two things we need to survive in the world.ĭAISY EDGAR-JONES: Yeah, something similar. SEBASTIAN STAN: I've just been saying it's about love and food. Check out what they had to say in the player above, or you can read our conversation below.ĬOLLIDER: How have you actually been telling your friends and family about this movie and what it's about? Because I think this is one of those, the less you know about the second and third act, the better.
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